Are you sure you want to perform this action?
January 18, 2023 08:00
Color plays an important role in human cognition, as artists have recognized it for thousands of years. It can also be a valuable tool in houses of worship. It can help capture and direct people’s attention, raise the energy level in a space, make it more aesthetically appealing, create or enhance the mood, and more.
One of the most important developments in the use of color was when Johannes Itten, a painter, and teacher at the Bauhaus school, codified what great artists intuitively understand about color in his book “The Art of Color,” written in 1920. In it, he describes a color wheel with 12 colors (yellow, yellow-orange, orange, red-orange, red, red-violet, violet, blue-violet, blue, blue-green, green, and green-yellow) and he identified seven types of color contrast, including contrast by hue or color, contrast by value or the lightness or darkness of a color, contrast by color temperature, contrast by complements, simultaneous contrast, contrast by saturation, and contrast by extension. These color combinations are pleasing to the eye and work well together.
Color and color combinations can evoke strong emotions. A natural response to red is an increase in appetite or energy, while green is very calming and soothing. And how can one see a combination of red and green and not think of Christmas? The emotional reaction to colored light and the seven types of contrasts can be a great starting point for designing lighting looks in houses of worship. Here are five ways to use color and light to enhance the churchgoer’s experience in houses of worship.
#1 Storytelling – The Spoken Word
Creating a uniform wash of tunable white light across a large platform that is accurately repeatable is very important for focusing attention on the platform in houses of worship. Tunable white light helps to ensure that skin tones and set pieces are rendered naturally regardless of the complexion of the subject(s) or the colors of the set. White light can range in color temperature, color rendering index (CRI), R9 value (an extended measure of color rendering), TM-30 value (an even more extended measure of color rendering), and in its television lighting consistency index (TLCI), which is a measure of how faithfully a light source renders colors and skin tones on video. White light with low color temperature, which is what is produced by tungsten lamps, ranges from about 3000 Kelvin (K) to about 3200 K. White light with high color temperature can range from about 5600 K to about 8000 K, which is what daylight looks like with a clear blue sky when the sun is at its highest point in the daylight sky. Tunable white light can be adjusted to match the desired color temperature.
Lighting designers might choose to light a subject with a lower color temperature for front light to bring out the red in skin tones and a higher color temperature for backlight to create a contrast that emphasizes the depth or modeling of a subject. At times, a lighting designer might use a value in between tungsten and daylight, or around 4500 K, for front light, especially if there is a mix of light sources with different color temperatures in the same lighting rig.
Luminaires with a high color rendering index (CRI), TM-30, and a high TLCI are great tools for lighting a subject for the camera because they make colors look “right” on camera. Another important consideration is that the white light produced by a fixture is balanced between green and magenta so that skin tones look natural. Some fixtures have a +/- green shift setting in the menuing structure, which allows you to compensate for an uncalibrated camera or another light source that might be polluting the subject. One such fixture is the PROLIGHTS EclPanel TWC. It is also useful for creating a uniform wash because it has a wide field angle of 159ᴼ, which is especially important for video. After all, the camera is much more sensitive to hot spots and cold spots than the human eye.
Fixtures like the EclProfile CT+ from PROLIGHTS that can output high CRI, high R9, and high TLCI are great for front lighting a subject while also allowing the designer or operator to add dramatic color. For lighting the sanctuary with white light or colored light, consider the Chroma-Q Inspire, Mini, and XT.
Last week, we introduced the series on the Five Benefits of Immersive Color in the House of Worship. Join A.C. Lighting Inc. over the next few weeks as we discuss five ways to use color and light to enhance the churchgoer’s experience in houses of worship.
Join the Conversation: https://bit.ly/3YwNjzh
Next Week Discover Experiential and Emotionally Connective Music...
Images: © Marcus Hammond, AVDOXA, 2022
Don’t forget to follow A.C. Lighting Inc. on Social Media:
About A.C. Lighting, Inc.
A.C. Lighting, Inc. is a value-added distributor of world-class lighting and associated rigging technologies for the theater, film, television, worship, exhibition, and commercial markets. A.C. Lighting Inc. a North American distributor for premier brands including Chroma-Q® LED lighting, Vista by Chroma-Q lighting and media control surfaces, PROLIGHTS high value and high-performance range of lighting, video and effects products, Luminex Networking Intelligence manufacturer of data distribution equipment, Manfrotto and Avenger: Professional Lighting Stands and Accessories, Follow-Me Remote Follow Spot Control Systems, LumenRadio wireless lighting controls, and Prolyte staging and trussing.
For more information, please visit www.aclighting.com or call 416.255.9494
PROLIGHTS is the professional lighting division of Music & Lights S.r.l., an Italian company specialized in the manufacture of technologies for the show industry.
The PROLIGHTS brand was established in 2001 with a focus on the design and manufacture of professional lighting & video products for the entertainment, event, broadcast, and installation markets.
PROLIGHTS is headquartered in Minturno, Italy, where the company's commercial, operational, and R&D centres are all located.
PROLIGHTS continues to experience sustained growth across all sectors, with its products found on stages and in studios all over the world. Founder Franco Sorabella, and his son Fabio, are both actively involved in the day-to-day running of the business and in the development of the product range.
For more information, please visit www.aclighting.com/prolights-lighting or call 416.255.9494
Chroma-Q and all associated product names are recognised trademarks, for more information visit www.chroma-q.com/trademarks. The rights and ownership of all trademarks are recognised. Whilst every effort has been made to ensure that the information is correct, Chroma-Q accepts no liability for errors or omissions. Technical specifications and data are provided for guidance only. Because we constantly aim to improve our products, we reserve the right to amend or alter at any time and without prior notice, the specifications of any product. E&OE.
Chroma-Q® have been designing lighting equipment for over 25 years, with a reputation for high product quality, innovation and reliability.
Today, LED based lighting products are the core of Chroma-Q’s portfolio.
Chroma-Q have gained a reputation for introducing award-winning, premium LED lighting solutions which deliver the highest performance levels required by today's most demanding applications - including concerts & theatre shows, film & TV broadcasts, retail, leisure & museum installations, exhibitions & corporate hospitality events.
Follow Chroma-Q on Social Media:
Please visit www.chroma-q.com for more information and a full list of Chroma-Q dealers.
January 18, 2023 08:00
January 10, 2023 08:00
December 8, 2022 11:30
November 25, 2022 10:00
November 16, 2022 09:00