Procolor

Procolor is an exciting range of lighting filters comprising of 149 colour filters, 8 soft cosmetic filters, 28 diffusion filters, 44 colour correction filters and 6 specialist designer reflectors, collectively covering the colour requirements of todays lighting designer. Procolor filters are produced from a tough polymeric film, which is coated with a dyed lacquer to the highest standard of accuracy using sophisticated computer management systems. All the way through the manufacturing process, the filters are continually checked for colour consistency and quality control.

The formulae behind Procolor are designed to exploit the high fade resistance, colour saturation and hue of individual dyes. This, together with the extended life of the component polymers, and fire resistance, produces a range that gives the designer total colour control.

The latest additions to the Procolor series are the 300 range of effect filters. This range has been specially developed to provide polyester filters for use in television production and certain colours do correspond to the main effect filters range.

Procolor HT+

Procolor HT+ is an advanced range of filters suited to high temperature applications. The range of HT+ filters is manufactured from a laminated, deep-dyed polycarbonate. Using this process ensures a consistent colour transmission time after time in any high temperature environment, with lamp outputs up to 20kW. Procolor HT+ is available in an extensive range of colours and diffusions to suit a variety of situations, enabling more flexibility, without compromising your creativity.

New shades are being added to the Procolor HT+ range constantly ensuring that the latest effects and techniques are always at your fingertips.

All of the Procolor ranges are available in sheets and rolls, all in sizes designed to give you the maximum number of colour cuts and the minimum amount of wastage. Combine this with Procolor's highly competitive pricing and you will find a range of filters that allow your budget to stretch that little bit further and your show to excel that extra bit higher.

ProColor Filters

Colour Effect Filters

	130 Clear Animation & projection work
	746 Brown Gives murky, dirty feel to tungsten. Darker, less pink chocolate
	017 Surprise Peach Skin tones, mood light
	156 Chocolate With 103 in same lantern to produce candlelight
	789 Blood Red For deep saturated red effect, strong vivid red effect
	027 Medium Red Cycloramas
	321 Light Red Television effect lighting, cycloramas
	026 Bright Red Cycloramas
	029 Plasa Red Cycloramas
	106 Primary Red Strong red effect, cycloramas
	182 Light Red Theatre & television effect lighting, cycloramas
	019 Fire Disco effect, fire effect
	164 Flame Red Fire effect
	024 Scarlet Pantomime, ballroom sets, fire effects
	781 Terry Red Strong amber red
	025 Sunset Red Warm stage wash, TV studio wash, sunset effect
	166 Pale Red Cycloramas
	176 Loving Amber Sunrise Blackout
	004 Medium Bastard Amber Naturally enhances skin tones
	151 Gold Tint Pleasing effect for theatrical lighting
	303 Pale Gold Interior lighting to enhance skin tones
	162 Bastard Amber Warm white, warm wash, lamplight
	152 Pale Gold Interior lighting to enhance skin tones
	386 Dark Bastard Amber Television
	776 Nectarine Romantic sunset, period pieces
	108 English Rose Warm tint wash, flesh tones, softer skin tones
	311 Flame Fire effect
	315 Special Golden Amber Television set lighting
	105 Orange Mainly light entertainment, fire effect if used with 106, 166, 104
	313 Special Light Amber Television set lighting
	158 Deep Orange Fire effect
	008 Dark Salmon Enhances skin tones, sunsets, ballroom sets
	779 Bastard Pink Deep sunset, useful on dark skintones
	021 Golden Amber Fire effect sunset
	021 Gold Amber Fire effect sunset
	022 Dark Amber Backlight
	135 Deep Golden Amber Fire effect
	777 Rust A vivid rust colour effect
	380 Golden Amber Television, set lighting
	134 Golden Amber Fire effect (doubled up)
	317 Dark Amber Backlight
	147 Apricot Sunrise, sunset, lamplight
	020 Medium Amber Late sunlight
	179 Chrome Orange Combination of ½ CTO & double strength 104, sunlight
	309 Special Straw Television, set lighting
	015 Deep Straw Strong mood effect on backings
	104 Deep Amber Mood effect on backing, backlighting of floor & colour effect
	009 Pale Amber Gold Late sunlight
	103 Straw Pale Sunlight through window effect, warm winter effect
	159 No Colour Straw Warm effects, sunlight
	007 Pale Yellow Sunlight
	763 Wheat Adds warmth, sunlight
	308 Medium Straw Television, set lighting
	764 Sun colour Straw Adds warmth, bright sunlight
	765 Sunlight Yellow Useful for strong sunlight effect
	013 Straw Tint Sunlight wash with gobos, interior lighting
	102 Light Amber Light effects, dawn sun effects, pleasant in acting areas
	306 Medium Lemon Television, set lighting
	101 Yellow Sunlight & window effects, pleasant in acting areas
	010 Medium Yellow Sunlight effect
	100 Spring Yellow Sunlight wash, use with gobos, discos, dark skin tones
	138 Pale Green Good with gobos for wooded scenes
	088 Lime Green use with gobos for leafy glades, slightly sinister atmosphere
	121 Holmer Green Cycloramas
	378 Yellow Green Television
	738 Jas Green Rich yellowish green, concert stage wash for darker skin tones, costume & set
	122 Fern Green Cycloramas, good for mood effect
	371 Light Green Television, cycloramas
	089 Moss Green Use with gobos for forest scenes
	124 Dark Green Cycloramas, good for backlighting
	139 Primary Green Cycloramas
	090 Dark Yellow Green Highlighting for forest scenes
	735 Velvet Green Beautiful background green, Victorian melodrama
	325 Mallard Green Good for mood setting, undergrowth
	327 Forest Green Deep green, sinister forest scenes, cycloramas, backlighting
	729 Scuba Blue Musical performance for rear colour wash
	116 Medium Blue Green Pleasing effect for theatrical lighting
	323 Jade Use for underwater scenes, cycloramas & backlighting
	322 Soft Green Cool green, use for gobo cover, pantomime, cycloramas
	730 Liberty Green For creating mystery & suspense
	131 Marine Blue Romantic moonlight, underwater scenes, ballet
	115 Peacock Blue Pleasing effects on sets, cycloramas cloths backlighting
	728 Steel Green Approaching storms, overcast days, cold steely light
	354 Special Steel Blue Cooling blue green wash for stage & set lighting
	172 Lagoon Blue Floodlit warm wash, underwater scenes, ballet
	383 Light Green Blue Television, pleasing effect for lighting
	143 Pale Navy Blue Moonlight, cycloramas
	711 Cold Blue Cold grey HMI effect from tungsten source
	366 Cornflower Seasonal mood lighting
	141 Bright Blue Pretty or romantic moonlight, cycloramas, night
	183 Moonlight Blue Moonlight, cycloramas
	352 Glacier Blue Cool blue for atmospheric mood lighting
	174 Dark Steel Blue Set lighting, creates good moonlight shadows
	063 Pale Blue Cycloramas, cool wash
	061 Mist Blue Night scenes, cool wash
	349 Pale Blue Cool wash, cycloramas
	725 Old Steel Blue Cool wash, useful for highlights
	117 Steel Blue Gaslight in conjunction with 213
	140 Summer Blue Warm blue, cycloramas, tint wash
	353 Lighter Blue Daylight blue
	724 Ocean Blue Useful at low light levels, dull skies, moonlight
	144 No Colour Blue Moonlight for blue green seas, cycloramas, with 147 to produce sunsets
	350 No Colour Blue Moonlight for blue green seas, cycloramas, with 147 to produce sunsets
	118 Light Blue Strong night effect
	161 Slate Blue Moonlight & dusk
	196 True Blue Moonlight
	165 Daylight Blue Moonlight
	360 Bright Blue Television
	719 Colour Wash Blue Allows low intensity tungsten to hold cold blue feel
	068 Sky Blue Night effect, cycloramas
	357 Special Medium Blue A Mood effects
	361 Surprise Blue Television
	132 Medium Blue Set lighting, travelling matt blue, cycloramas, night
	197 Alice Blue Moonlight, cycloramas
	384 Sky Blue Television, night effect
	075 Evening Blue Good for night scenes
	715 Cabana Blue Deep blue, enough transmission to work on TV
	363 Special Medium Blue B Cool moonlight, mood effects
	721 Berry Blue For rear colour wash in musical performances
	079 Just Blue Cycloramas
	716 Mikkel Blue Romantic blue to produce night effect
	195 Zenith Blue Moonlight for dark sets, cycloramas
	119 Dark Blue Moonlight mood effect, jazz club
	120 Deep Blue Pleasing effect for theatrical lighting
	071 Tokyo Blue Enhance skin tones, cycloramas
	385 Deeper Blue Moonlight, strong backlights (television)
	085 Deeper Blue Moonlight, strong backlighting
	181 Congo Blue Theatre & television effect lighting, backlighting
	713 J. Winter Blue Moody & powerful stage colour wash
	198 Palace Blue Dark moonlight, romantic evening
	707 Ultimate Violet Colour washes and set lighting
	180 Dark Lavender Pleasing effect for theatrical lighting, backlighting
	343 Special Medium Lavender Theatre & television effect lighting, backlighting
	058 Lavender Backlight
	194 Surprise Pink With 193 for musicals
	344 Violet Dusk effect, good skin tones, romantic effect
	142 Pale Violet Moonlight, chandeliers, highlighting pot plants
	342 Special Lavender Moonlight romantic scenes, enhances skin tones
	137 Special Lavender Moonlight, musical, romantic scenes, enhances skin tones
	702 Special Pale Lavender Fill for slow sunset fades
	053 Paler Lavender Slightly cool wash
	003 Lavender Tint Subtle cool wash for stage & studio lighting
	340 Surprise Lavender Television
	169 Lilac Tint Ballroom, dance, backlight, front of house
	136 Pale Lavender Pantomime, ballroom sets, enhances dark skin tones in followspots
	704 Lily Good for romantic evening exteriors
	052 Light Lavender Set dressing, pantomimes
	170 Deep Lavender Set lighting, disco, theatre
	345 Fuschia Pink Musical revue, pantomime and sultry scenes
	381 Rose Purple B Television, cycloramas
	126 Mauve Cycloramas, backlighting
	797 Deep Purple Colour washes & set lighting
	382 Medium Purple Television
	341 Plum Romantic, atmospheric set lighting
	339 Rose Purple A Television, Disco, cycloramas
	048 Rose Purple Musical revues, disco, cyclorama
	795 Magical Magenta Rich mix of reds & pinks
	793 Vanity Fair Rich, glamorous pink, for use on special occasions
	128 Bright Pink Cyclorama, backlighitng, strong effect
	328 Follies Pink Dramatic stage lighting
	002 Rose Pink Strong pink wash, cycloramas
	111 Dark Pink Cycloramas
	192 Flesh Pink Musical & pantomime key lights
	036 Medium Pink Front of house lanterns
	110 Middle Rose Pleasing effect for theatrical lighting
	039 Pink Carnation Soft, cool, pastel pink, backlighting & general colour wash
	035 Light Pink Musical revues, warm wash
	033 No Colour Pink Warm wash
	154 Pale Rose Pleasing effect for theatrical lighting, lamplight
	153 Pale Salmon Backlighting in conjunction with white light
	790 Moroccan Pink Rich, natural pink, good for late afternoon sun effects
	109 Light Salmon Backlighting
	107 Light Rose Mood effect on backing, backlighting of floor & colour effect
	193 Rosy Amber Warm, emotional, romantic
	157 Pink Dance sequences, useful for softening white costumes without affecting skin tones
	148 Bright Rose Fire effects, musicals
	332 Special Rose Pink Pantomimes, light entertainment, strong stage wash
	113 Magenta Very strong, use carefully for small areas on set
	127 Smoky Pink Cycloramas, set lighting, disco
	046 Dark Magenta Very strong pink, backlighting
Please note: these colours are representational and are not colour accurate.

Colour Correction Filters

	200 Double CT Blue Converts tungsten to daylight, 3200K to approx 26000K
	201 Full CT Blue Converts tungsten 3200K to photographic daylight 5700K
	281 Three Quarters CT Blue Converts tungsten 3200K to daylight 5000K
	202 Half CT Blue Converts tungsten 3200K to daylight 4300K
	203 Quarter CT Blue Converts tungsten 3200K to daylight 3600K
	218 Eighth CT Blue Converts tungsten 3200K to daylight 3400K
	204 Full CT Orange Converts daylight 6500K to tungsten 3200K
	285 Three Quarters CT Orange Converts daylight 6500K to tungsten 3600K
	205 Half CT Orange Converts daylight 6500K to tungsten 3800K
	206 Quarter CT Orange Converts daylight 6500K to tungsten 4600K
	223 Eighth CT Orange Converts daylight 6500K to tungsten 5550K
	299 1.2 N.D Reduces light 4 stops without changing colour
	211 .9 N.D Reduces light 3 stops without changing colour
	210 .6 N.D Reduces light 2 stops without changing colour
	299 .3 N.D Reduces light 1 stop without changing colour
	298 .15 N.D Reduces light ½ stop without changing colour
	238 CSI to Tungsten Converts CSI to 3200K for use with tungsten film
	237 CID to Tungsten Converts CID to 3200K for use with tungsten film
	232 Super Correction WF Green to Tungsten Converts white flame arc to 3200K, for use with tungsten film
	236 HMI to Tungsten Converts HMI to 3200K for use with tungsten film
	219 Fluorescent Green General tungsten to fluorescent correction for use when fluorescent colour temperature is unknown to provide medium correction used with colour correction filter
	241 Fluorescent 5700K Converts tungsten to fluorescent light of 5700K (cool white/daylight) used with camera filter
	242 Fluorescent 4300K Converts tungsten to fluorescent light of 4300K (white) used with camera filter
	243 Fluorescent 3600K Converts tungsten to fluorescent light of 3600K (warm white) used with camera filter
	213 White Flame Green Corrects white carbon arcs by absorbing ultra violet
	230 Super Correction L.C.T. Yellow Converts yellow carbon arc (of low colour temperature) to tungsten
	212 L.C.T. Yellow (Y1) Reduces colour temperature of low carbon arcs to 3200K
	226 UV Transmission of less than 50% at 410NMS
	441 Full CT Straw Converts daylight to tungsten 3200K with yellow bias mired shift + 160
	442 Half CT Straw Converts daylight to tungsten 4300K with yellow bias mired shift + 81
	443 Quarter CT Straw Converts daylight to tungsten 5100K with yellow bias mired shift + 42
	444 Eighth CT Straw Converts daylight to tungsten 5700K with yellow bias mired shift + 20
	208 Full C.T.O + .6N.D Converts daylight 6500K to 3200K tungsten and reduces light 2 stops
	207 Full C.T.O + .3N.D Converts daylight 6500K to 3200K tungsten and reduces light 1 stop
	244 Full Plus Green Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent (approximately equivalent to CC30 green) used with camera filter
	245 Half Plus Green Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent (approximately equivalent to CC15 green) used with camera filter
	246 Quarter Plus Green Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent (approximately equivalent to CC075 green) used with camera filter
	278 Eighth Plus Green Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent (approximately equivalent to CC0375 green) used with camera filter
	247 Full Minus Green Used for eliminating green cast caused by fluorescent lighting on film (approximately equivalent to CC30 magenta)
	248 Half Minus Green Used for partially eliminating green cast caused by fluorescent lighting on film (approximately equivalent to CC15 magenta)
	249 Quarter Minus Green Used for partially eliminating green cast caused by fluorescent lighting on film (approximately equivalent to CC075 magenta)
	279 Half Minus Green Used for eliminating green cast caused by fluorescent lighting on film (approximately equivalent to CC0375 magenta)

Diffusion Filters

	F1 White Diffusion Soft light effects (50 micron base)
	F2 White Diffusion Soft light effects (50 micron base)
	F3 White Diffusion Soft light effects (75 micron base)
	216 White Diffusion Soft light effects (50 micron base)
	250 Half White Diffusion Half strength 216
	416 3/4 White Diffusion Used for soft light effects
	450 3/8 White Diffusion Used for soft light effects
	251 Quarter White Diffusion Quarter strength 216
	252 Eighth White Diffusion Eighth strength 216
	452 1/16 White Diffusion Used for soft light effects
	217 Blue Diffusion Soft light effect (50 microns) increases colour temperature slightly
	129 Heavy Frost Soft light effect (75 micron base)
	220 White Frost Soft light effect (75 micron base)
	253 Light Frost
	255 Hollywood Frost Light frost effect, softens edges
	221 Blue Frost Soft light effects (75 micron base) increases colour temperature slightly
	224 Daylight Blue Frost Soft light effect with tungsten correction using full CT blue (75 micron base)
	225 Neutral Density Frost Soft light effect with neutral density (75 micron base)
	280 Balck Aluminium Wrap
	501 Polybounce
	500 Blackout

Cosmetic Filters

	184 Cosmetic Peach Pale tints complementary to key lighting
	185 Cosmetic Burgandy Pale tints complementary to key lighting
	186 Cosmetic Silver Rose Pale tints complementary to key lighting
	187 Cosmetic Rouge Pale tints complementary to key lighting
	188 Cosmetic Highlight Pale tints complementary to key lighting
	189 Cosmetic Silver Moss Pale tints complementary to key lighting
	190 Cosmetic Emerald Pale tints complementary to key lighting
	191 Cosmetic Aqua Blue Pale tints complementary to key lighting

Designer Reflectors

	272 Soft Gold Reflector Produces soft reflection
	273 Soft Silver Reflector Produces soft reflection
	271 Mirror Silver Produces strong reflection
	274 Mirror Gold Produces strong reflection


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